A surreal, ultra-realistic cinematic fine-art photograph. A calm, handsome man sits on a worn red vintage armchair in the middle of a vast white salt flat under a muted blue-gray sky. He wears a light brown weathered jacket, beige trousers, and dark brown leather shoes, holding a small cup in his right hand resting on the chair arm. In front of him stands a tall, broken pale-blue concrete doorway frame with cracked plaster and exposed cement edges, no door attached. Through the doorway, a single dense white cloud floats low above a distant dark mountain peak, perfectly centered inside the frame. Behind the doorway sits a metallic green Lamborghini, its shape partially visible, glossy paint catching soft daylight. To the left of the man on the ground is a vintage reddish-brown box TV with old knobs and antenna, slightly dusty. The lighting is soft, natural daylight — diffused, no harsh shadows. The color palette is desaturated, with pale blues, dusty whites, muted browns, and soft grays. The shot is eye-level, medium-wide, hyper-detailed with cinematic depth and texture. The atmosphere feels surreal, introspective, and symbolic